The Reading room

The reading room


  • -Sinazo Chiya: 9 More Weeks
  • eflux: Anton Vidokle and Hito Steyerl- Cosmic Catwalk and the Production of Time
  • eflux: Raqs Media Collective- Stammer, Mumble, Sweat, Scrawl, and Tic
  • -Visual Culture: the reader. Edited by Jessica Evans & Stuart Hall
  • Ibraaz: Contemporary Visual Culture in North Africa & The Middle East
  • KADIST: A Distinct Itinerary in. Space and. Time.
  • -Suzanne Lacy & Pilar Riaño-Alcalá. Medellin, Colombia: Re-inhabiting Memory
  • -Ngũgĩ wa Mirii: On Literacy Content, 1979
  • -James Muriuki & Syowia Kyambi: Layers
  • -Chimurenganyana: When you kill us we Rule! Fela Anikulapo Kuti’s last interview. By Keziah Jones
  • -Monsieur Antipyrine’s Manifesto: Tristan Tzara
  • -Texte Zur Kunst: Globalisms
  • -Hans Ulrich Obrist: do it. The Compendium
  • -Ashraf Jamal: In The World. Essays on Contemporary South African Art
  • -Àsìkò: residency notes
  • -Co.@rtnews
  • -Jackie Karuti: The Address
  • -Kochi-Muziris Biennale, 2018 catalog: Possibilities for a non-alienated life
  • -Jackie Karuti responding to Wolfang Tillmans’ work: What else can a photograph be?
  • eflux




    • -Soul of a Nation. Art in the Age of Black Power: Edited by Mark Godfrey & Zoé Whitley
    • -Museum fur Volkerkunde, Frankfurt-Signs: Art from East Africa 1974 – 1989
    • -Dak’Art Biennale 2018 Catalog
    • -The Invention of Zimbabwe: The Chronic, Chimurenga-April, 2018
    • -XiBARUU TEERE YI(‘Chronic Books’ in Wolof): What can African Writers Learn from Cheikh Anta Diop?
    • -A Path Not Taken: The Story of Joseph Murumbi. Africa’s Greatest Private Cultural Collector and Kenya’s Second Vice-president. Anne Thurston
    • -9 Weeks: Hansi Momodu-Gordon
    • -Purple: John Akomfrah
    • -documenta 14: Daybook & Reader
    • -SOUTH as a state of mind
    • -Àsìkò: on the future of artistic and curatorial pedagogies in Africa
    • -Curriculum of Connections. Focus: Education- Contemporary &: Special documenta 14 edition
    • -Condition Report: symposium on building Art institutions in Africa. Edited by Koyo Kouoh