The Reading room

The reading room

2022

  • -Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963: Samson Kaunga Ndanyi
  • -Cinema Expanded: Avant-Garde Film in the Age of Intermedia: Jonathan Walley
  • -The Skin of the Film: Laura Marks
  • -The hills have ideologies: The fûkeiron tradition in Japanese landscape cinema: Conor Bateman
  • -Memoria: Apichatpong Weerasethakul & team. The book features materials collected during the development, writing, pre-production & shoot of the film
  • -Steve McQueen: Tate Modern in collaboration with Pirelli HangarBicocca
  • -Black Chapel: Theaster Gates
  • -Institute of Radical Imagination(IRI)
  • -Working-class Cinema in the Age of Digital Capitalism: Massimiliano Mollona
  • -A glossary for arts education: On the Home Workspace Program 2014–2015: Edited by Özge Ersoy
  • -Publishing as Method: In Conversation with Özge Ersoy and Paul C. Fermin: IDEAS Journal
  • –Jackie Karuti: Notes Movement Method
  • -Tube Dust Drone: Brückenmusik 1995-2015
  • -Sneak Review: Benjamin Patterson
  • -Das Rheingold (a new attempt): A multi-media opera by Ben Patterson
  • -I Will Draw a Map of What You Never See. Endeavours in Rhythmanalysis: SAVVY Books
  • -Ultrasanity. On Madness, Sanitation, Anti-psychiatry and Resistance: SAVVY Books
  • -The Russian Experiment in Art, 1863-1922: Camilla Gray
  • -Would That I Might Reach Myself Before All Others: Barbara Casavecchia on Maria Lai
  • -Ralph Lemon: Thomas J. Lax, MOMA
  • -What the Fire Sees: A Divided Reader
  • -Drive Your Plow Over the Bones of the Dead: Olga Tokarczuk

More… →