The Reading room
The reading room
2022
- -Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963: Samson Kaunga Ndanyi
- -Cinema Expanded: Avant-Garde Film in the Age of Intermedia: Jonathan Walley
- -The Skin of the Film: Laura Marks
- -The hills have ideologies: The fûkeiron tradition in Japanese landscape cinema: Conor Bateman
- -Memoria: Apichatpong Weerasethakul & team. The book features materials collected during the development, writing, pre-production & shoot of the film
- -Steve McQueen: Tate Modern in collaboration with Pirelli HangarBicocca
- -Black Chapel: Theaster Gates
- -Institute of Radical Imagination(IRI)
- -Working-class Cinema in the Age of Digital Capitalism: Massimiliano Mollona
- -A glossary for arts education: On the Home Workspace Program 2014–2015: Edited by Özge Ersoy
- -Publishing as Method: In Conversation with Özge Ersoy and Paul C. Fermin: IDEAS Journal
- –Jackie Karuti: Notes Movement Method
- -Tube Dust Drone: Brückenmusik 1995-2015
- -Sneak Review: Benjamin Patterson
- -Das Rheingold (a new attempt): A multi-media opera by Ben Patterson
- -I Will Draw a Map of What You Never See. Endeavours in Rhythmanalysis: SAVVY Books
- -Ultrasanity. On Madness, Sanitation, Anti-psychiatry and Resistance: SAVVY Books
- -The Russian Experiment in Art, 1863-1922: Camilla Gray
- -Would That I Might Reach Myself Before All Others: Barbara Casavecchia on Maria Lai
- -Ralph Lemon: Thomas J. Lax, MOMA
- -What the Fire Sees: A Divided Reader
- -Drive Your Plow Over the Bones of the Dead: Olga Tokarczuk